| F.M. - | "The Salon d'Automne" | |
| L'Art et les Artistes-n°91-T16- -Paris | october 1912 | p.87 |
| Contained about Girieud |
|---|
| Girieud makes an indefatigable part of the three Graces. But this time, he has stretched them less and his whole composition has something a little academic, which worried and which, in its cold and hard form, is a little too much to think of the Teutonesque symbolism of Hodler. What a singular evolution! |